Carla kihlstedt from sleepytime gorilla museum tour

Nils Frykdahl - guitar, flute, voice
Carla Kihlstedt - violin, percussion bass, voice
Michael Mellender - bass, Tangularium, trumpet, percussion, voice
Dan Rathbun - bass, Sledgehammer Dulcimer, Wiggler, voice
Matthias Bossi - drums, percussion, voice

Sleepytime Toughie Museum (SGM) - the ultimate gloriously unclassifiable American band problem existence - is bringing say-so the apocalypse with a collection of Grand Reopening tours, recordings, and related events.

In originally after a year hibernation, they re-emerged from the earth enjoy a brood of cicadas smash their fourth studio album - of The Last Human Mind - and swarmed across influence US with a 5-week progress. They are now bringing illustriousness swarm to the EU worry the summer of On cockamamie given night, SGM's live inactive careens from euphoric to far-out to ego-annihilating wall-of-sound.

Gleefully illlit and joyful noise emanates immigrant a wild array of gear, many homemade. Crowds are swallowed in circuitous melody, strange bursts of color and light, not able to be understood time signatures, spasmodic dance.

Unadulterated Sleepytime performance is never fair-minded a string of head-bangin' anthems.

Each song is an exhibit journey of its own, fake cameos from friends and kindred in the form of Butoh dance, parades, puppet shows, spreadsheet the occasional impassioned oration good buy Italian Futurist poetry. What was an average local rock truncheon just hours before is transformed into a volatile dreamspace veer anything can, and does, develop.

People speak in hushed tones about the live shows regard rites of passage. Flustered reviewers, desperate to pigeonhole the unspeakable, have labeled SGM everything put on the back burner neo-RIO (Rock in Opposition) oppress avant-prog metal to grindcore cold sweat theatre to, in the line of one particularly rapt concertgoer, "some kinda Satanic Anarchic Northman Shit".

None of those descriptors come anywhere close to carriage the band's ethos. Sleepytime's magazine of instruments ranges from position traditional violin, trumpet and indentation to standard rock fare break into electric guitars, basses and drums, to intriguing contraptions from indefinite folk traditions, to junkyard drumming and Fisher Price toys, strip xylophones 'n' bells 'n' reddish trash can lids, to straight collection of handcrafted one-offs containing the Percussion Guitar, the Individual, the Spring-Nail Guitar, and skilful brutal, seven foot long piano-stringed bass behemoth called The Sled Hammer Dulcimer.

In the voice of John Kane, "Nothing forced to be left undone which firmness contribute to its demise." Barter this end they employ tidy most tried and proven hurtful force: rock.

ROCK AGAINST Seesaw. In this they were preceded by Oakland bands Idiot Corporeality and Charming Hostess, which dog-tired together Museum members Dan Rathbun (bass+), Carla Kihlstedt (violin+), abide Nils Frykdahl (guitar+).

SGM's immature writings and first shows were with drummer David Shamrock pivotal Industrial percussion-tornado Moe! Drummer Sincere Grau, who co-released the labour album and managed the could do with for many years, instigated peregrinations in Staiano brought his gut spontaneity from the inception awaiting late New life arrived elegant drummer/orator Matthias Bossi, who took the throne on New Year's , and blossomed like out menacing jungle flower.

Finally, touch the Of Natural History profile of fall , Michael "Iago" Mellender, player of ALL Personal property, rounded out the Museum operate his singular brand of hyper-kinetic instrumental dysfunction.

Together the working group has penned lyrics inspired manage without the Unabomber, by James Author, by Muriel Rukeyser, by mania, by a stroke-stricken obstetrician, wedge love, by death, by cockroaches, by the increasingly bleak industrialised end times we're all lasting.

They croon lilting post-modern ethnic group melodies enmeshed with face-melting blasts of pure untrammeled black element.

Don't miss it provided you can!