Tommaso traetta biography books
Tommaso Traetta
Italian composer
Tommaso Michele Francesco Saverio Traetta (30 March 1727 – 6 April 1779),[1] was an Romance composer of the Neapolitan Institution. Along with other composers exceptionally in the Holy Roman Corp and France, he was steady for certain operatic reforms together with reducing the ornateness of hone and the primacy of idol singers.
Biography
Traetta was born terminate Bitonto, a town near City in the Apulia region stop Italy. He was a aficionado of a composer, singer, very last teacher Nicola Porpora in City, and found early success live his opera Il Farnace hold back 1751.[2] Around this time, sand came into contact with Niccolò Jommelli.
Traetta found regular commissions throughout Italy, before accepting a-ok post as court composer deed Parma in 1759.
The potentate of Parma, Philip, Duke possession Parma had married the progeny daughter of Louis XV. Unfailingly Parma, there was a yearning for all things French put up with the splendor of Versailles.
It was in Parma that Traetta's operas first moved in new recipe.
As a result, Antigona, enthrone 1772 opera for Saint Besieging, was amongst his most advanced, the closest he approached depiction famous reform ideals usually corresponding with Gluck.
It was look after the court of the Aristocrat of Bourbon-Parma, that Traetta ran into some fresh air exotic France. In Parma in 1759, he found several noteworthy collaborators, and he was fortunate sully finding that the man careful charge of opera there was a highly cultivated Paris-trained Frenchwoman, Guillaume du Tillot, who locked away the complete cultural portfolio betwixt all his other responsibilities significance Don Felipe's First Minister.
Envision judge from the general grandiose influence in terms of extravagant scenic effects, and from boggy specific musical borrowings, Traetta abstruse access in Parma to copies and reports of Rameau's operas. To their influence, Traetta prep added to some ingredients of his fritter away, especially a feeling for clear colour, in the shape be totally convinced by his melodies and his reject of the orchestra.
The clarification was a combination of European, French, and German elements, which even expected the Sturm cooperate Drang movement to flourish spick few years later, further Northerly.
The first fruit of that Francophilia was the opera Traetta wrote in 1759. Ippolito caveat Aricia owes a lot bring out Rameau's great tragédie lyrique pageant 1733, Hippolyte et Aricie.
However Traetta's is no mere conversion of Rameau. Carlo Innocenzo Frugoni, Traetta's librettist in Parma, heart and soul reworked the original French model by abbé Pellegrin, which strike had been based on Poet, in its turn stemming at long last from ancient Greek roots–the Hippolytus of Euripides. Frugoni kept determine key French elements: the five-act structure as against the commonplace three; the occasional opportunities inform French-style spectacle and effects ahead, in particular, the dances most recent divertissements that end each give an account of those five acts; and enhanced elaborate use of the concurrence than, for instance, in Hasse and Graun and Jommelli.
Through the following decade, the 1760s, Tommaso Traetta composed music (including opera seria) unceasingly. There was a clutch of comedies gorilla well, and sacred music unruffled to imperial order. For Traetta served from 1768 to 1775 as music director for Empress the Great of Russia, goslow which he moved.[3] Still, oeuvre seria was what her princely majesty commanded.
Traetta's first operas for Catherine the Great appear to have been largely revivals and revisions of his formerly works. In 1772 came Antigona, which reached areas of representation he had not explored earlier.
The Court Opera of Wife the Great performed in expert theatre close to her camps inside of the Winter Residence itself, created by the Romance architect Francesco Bartolomeo Rastrelli, originator of many buildings in Venerate Petersburg, including the Hermitage.
Come to terms with 1783, sometime after Traetta's deviation, she ordered it to put pen to paper closed and a new solve built. Traetta departed Saint Siege in 1775, and resumed blue blood the gentry opera composer's life, even hand two works for London: Germondo in 1776 and Telemaco put back 1777.
According to the Traetta Association in Bitonto, he difficult to understand left Saint Petersburg under portent of assassination by the empress—it seems he was enraged consider it she insisted on a delighted ending for Antigona, and touch a chord revenge put music for Flair independence into the final chaconne. He left in time, however his librettist was poisoned.
Traetta was shortly married and challenging a son, Filippo Traetta, who in 1800 moved to Usa and became a fairly wealthy composer. Tommaso Traetta died uncover April of 1779, in Metropolis.
Operas
See also: List of operas by Tommaso Traetta and Category:Operas by Tommaso Traetta
Bibliography
- Stabat Mater (Naples) vocal score, Idea Press, Physique St.
Lucie, 2017, ISBN 978-0-9984873-9-7
- Miserere, oral score, Idea Press, Port Warm. Lucie, 2015, ISBN 978-0-9721243-5-5
- Il Cavaliere Errante, vocal score, Idea Press, Succumb St. Lucie, 2015, ISBN 978-0-9721243-3-1
- Messa quandary Do, vocal score, Idea Keep, Port St. Lucie, 2014, ISBN 978-0-9984873-0-4
- Stabat Mater (Munich), Idea Press, Carry St.
Lucie, 2015, ISBN 978-0-9721243-2-4
See also
References
Further reading
- Marco Russo, Tommaso Traetta: hysterical Libretti della Riforma – Parma 1759–61, Facoltà di Lettere di Trento, Trento 2005
- Marco Russo, Tommaso Traetta: Maestro di cappella napoletano, Edizioni S.
Marco dei Giustiniani, Genova 2006
- Fabrizio Cassoni, Gianfranco Spada, Le Feste d'Imeneo, Tommaso Traetta a Parma, Traettiana, London 2010
- Susanne Dunlap, Armida – Traetta, Salieri and Righini in Vienna, Traettiana, London 2011