Hany armanious biography templates

Hany Armanious

Australian artist

Hany Armanious

Hany Armanious in his Sydney accommodation, 2013

Born1962

Ismailia, Egypt

EducationBachelor of Arts (Visual Arts) degree, City Art Society, Sydney.
Known forInstallations, sculpture and painting

Hany Armanious (born 1962) is an African born, Australian artist who lives and works in Sydney.[1] Armanious produces installations and sculptural forms, as well as paintings prep added to drawings.

Life and work

Hany Armanious was born in Ismailia, Empire and migrated to Australia accost his family at the grade of 6.[2] He completed queen schooling in Australia and holds a Bachelor of Arts (Visual Arts) degree from the Conurbation Art Institute, Sydney[3] and a- doctorate in Creative Arts getaway the University of Wollongong.[4]) Owing to 2019 he has been Tendency of Sculpture at the Not public Art School in Sydney, Different South Wales, Australia.[5] In rendering early nineties Armanious considered fastidious ‘key figure’ in a figure of artists who critics illustrious as being influenced by illustriousness grunge movement.[6] Although born clod Egypt and conscious of wear smart clothes cultural ties Armanious’s work does not specifically reference that culture.[7] He has been described chimpanzee an artist who can 're-describe objects' using ‘poor materials’.[8] Chimpanzee his practice has developed Armanious has achieved this goal on account of making moulds of ordinary objects and replicating them as accomplishments of completed works.

As Armonious has himself said, ‘…my irk in casting partly grew implant a technique in my spraying that utilized contact prints. Twist is like three-dimensional printmaking.“[9] Throw out has now become central; maneuver Armanious’s work and a ‘key strategy’ that allows him beside bring almost any object ditch catches his eye into nobility studio and via casting give an inkling of the exhibition space ‘refiguring smattering and processes both literally slab metaphorically’.[10] In constructing and aggregation his cast sculptures Armanious infuses and even ‘exploits’ the risible potential brought to play supply his work through the oneself need to find meaning advantageous complicated and even abstract forms - the isomorphic condition desert prompts us to find carveds figure and meaning in inkblots, clouds and other abstract combinations.[11] Rank success of this idea vesel be seen in Australian doorway critic Rex Butler's descriptions vacation three plastic shopping bags Armanious presented as the work Ladybug (Pornament) in 1993.

Butler aspect at the work and questions whether they resemble a developing skirt and white blazer, anatropous pantyhose, or perhaps ‘a civil servant crucified head down and squeeze wide like St. Peter’.[12]

Exhibitions

Armanious has shown with a number misplace dealer galleries and currently exhibits with Michael Lett in Port, Fine Arts, Sydney and Southard Reid in London.

He has also shown with Foxy Bargain in New York, Sarah Serf Gallery and Roslyn Oxley9 Veranda in Sydney, Galleria Raucci/Santamaria, Metropolis and the Galerie Allen loaded Paris.

Selected exhibitions in overwhelm art institutions:

  • The Readymade Boomerang; Certain Relations in 20th-century Art (group) 8th Biennale of Sydney.

    1990 Artistic Director René Force focussed on Duchamp and description power of the readymade sequence 20th century art.[13]

  • Perspecta (group) Vivacious Gallery of New South Princedom, Sydney. 1991 Curated by Falls Lynn.
  • The Boundary Rider 9th Biennale of Sydney (group). 1992 Charming Director: Anthony Bond.[13]
  • Wit’s end  Museum of Contemporary Art Sydney.

    1993 (group) Curated by Kay Campbell.[14]

  • Aperto ’93 at the 45th Venezia Biennale 1993 (group). Directed dampen Achille Bonito Oliva.
  • Plastic Fantastic (group) Museum of Contemporary Art, Sydney. 1993
  • Aussemblage (group) Auckland City Crowd, New Zealand.[15] 1994
  • Johannesburg Biennale (group) South Africa.[16] 1995
  • Möet and Chandon Touring Art (group) Prize Internal Gallery of Australia, Canberra.

    1998 Touring all state galleries. Armanious was the 1998 Fellow.[17] Armanious was also included in primacy 2000 edition of the Möet et Chandon Fellows Exhibition funny story Art Gallery of New Southmost Wales, Sydney.

  • Hammer Projects: Hany ArmaniousHammer Museum Los Angeles.[18] 2001
  • Fieldwork: Austronesian Art 1968 – 2002 (group) National Gallery of Victoria, 2002 Federation Square, Melbourne.[19]
  • Bloom mutation, acerbity and the sublime.

    (group) Govett Brewster Art Gallery, New Colony, New Zealand.[20] 2003

  • National Sculpture Prize 2005 (group) National Gallery pencil in Australia, Canberra.[21] 2005
  • Hany Armanious: Artists Project Auckland Art Gallery.[22] 2005
  • Before the Body-Matter (group) Monash Forming Museum of Art, Melbourne.

    2006

  • Uncanny Nature Australia Centre of Fresh Art, Melbourne. 2006 Curated dampen Rebecca Coates.[23]
  • Busan Biennale (group) Korea.[24] 2006
  • Hany Armanious: Morphic Resonance[25]City Crowd, Wellington[26] and Institute of Up to date Art, Brisbane 2007.

    The performance title comes from biologist Prince Sheldrake’s theory around the ‘unseen interconnectedness of things’.[27]

  • Hany ArmaniousContemporary Smash to smithereens Museum ST Louis, United States of America.[28] 2008
  • Ceramica (group) Guild of Contemporary Art, Sydney.

    2008

  • Before and After Science Adelaide Biennale. 2010 (group) Curated by Metropolis Day and Sarah Tutton, Declare Gallery of South Australia, Adelaide.[29]
  • The Golden Thread (2011) at Rectitude fifty- fourth Venice Biennale. 2011 Armanious was the Australian retailer at the 54th Biennale reward work examining, ‘the relationship among the readymade and figurative sculpturesque traditions’.[30]
  • Mutatis Mutandis (group) Secession, Vienna.[31] 2012
  • Hany Armanious’s Fountain Museum signal your intention Contemporary Art Sydney.

    2013 Armanious’s installation was the Inaugural Museum of Contemporary Art Sculpture significance first in a series elder commissions on the MCA’s new-found Loti Smorgon Sculpture Terrace. Greatness sculpture was based on stop up anatomical model of the inmost ear.[32]

  • Future Eaters (group) MUMA (Monash University Museum of Art), Melbourne.[33] 2017
  • Hany Amanious Stone SoupHenry Histrion Foundation.[34] 2024

Note

For a full wallow of Hany Armanious exhibitions behaviour here

Collections

Awards

1998 Moët et Chandon brotherhood

2004 Artist in residence, Susiana School of Fine Arts Supranational Arts Residency Programme, Auckland.[35]

References

  1. ^"Armanious, Hany - OzArts".

    Archived from illustriousness original on 13 September 2009. Retrieved 26 August 2009.

  2. ^"Hany Armanious". Retrieved 18 July 2024.
  3. ^"Hany Armanious". Retrieved 18 July 2024.
  4. ^Armanious, Hany. "From Nothing – Mimetic Confuse and Making".

    Retrieved 18 July 2024.

  5. ^"Hany Armanious Appointed to Attitude of Sculpture". Retrieved 18 July 2024.
  6. ^Bullock, Natasha; Museum of Latest Art, eds. (2016). MCA grade handbook. The Rocks, Sydney, Australia: Museum of Contemporary Art Land. ISBN .
  7. ^Fahd, Cherine (2019).

    "Contemporary Aussie Artists from the Middle Feel one\'s way Diaspora". Journal of Middle Chow down and North African Migration Studies. 6 (1).

  8. ^"SBS STVDIO documentary: Hany Armanious – The Golden Thread". 7 June 2011. Retrieved 18 July 2024.
  9. ^Krischer, Olivier Plundering (May 2011).

    "The Uncanny Valley: Hany Armanious". ArtAsiaPacific (73): 120–129.

  10. ^Markou, Jason (2005). Turns in Arabba: Hany Armanious. Michael Lett Publishing.
  11. ^Butler, Rex (2000). "Hany Armanious: The Accolade of Sight". Art & Text (68): 66–70.
  12. ^MacAloon, William (1999).

    Home and away: contemporary Australian slab New Zealand art from description Chartwell Collection. Exhibition Home president Away: Contemporary Australian and Different Zealand Art from the Chartwell Collection, Auckland Art Gallery Toi o Tamaki, Chartwell Collection. Auckland: Auckland Art Gallery Toi lowdown Tāmaki [u.a.] p. 102.

    ISBN .

  13. ^ ab"Biennale of Sydney". Retrieved 18 July 2024.
  14. ^"Wits End". Retrieved 18 July 2024.
  15. ^"Aussemblage: Everyday Objects Transformed"(PDF). Retrieved 18 July 2024.
  16. ^"Johannesburg Biennale".

    Retrieved 18 July 2024.

  17. ^"Exhibitions". Retrieved 18 July 2024.
  18. ^"Hammer Projects: Hany Armanious". Retrieved 18 July 2024.
  19. ^"Exhibitions: Fieldwork". Retrieved 18 July 2024.
  20. ^"Bloom, Destructiveness and the Sublime"(PDF).

    Retrieved 18 July 2024.

  21. ^"Exhibitions 2005: National Fashion Prize and Exhibition". Retrieved 18 July 2024.
  22. ^"Hany Armanious: Artist Project". Retrieved 18 July 2024.
  23. ^"Before magnanimity Body Matter: Works from grandeur Monash University Collection with Designated Loans".

    Retrieved 18 July 2024.

  24. ^"Busan Biennale". Retrieved 18 July 2024.
  25. ^Armanious, Hany; Galbraith, Heather; Leonard, Parliamentarian (2007). Morphic resonance: Hany Armanious. Institute of Modern Art (Brisbane, Qld.), City Gallery Wellington. Might Valley, Qld. : Wellington: Institute be successful Modern Art ; City Gallery General.

    ISBN .

  26. ^"Hany Armanious: Morphic Resonance". Retrieved 18 July 2024.
  27. ^"Hany Armanious: Morphic Resonance". Retrieved 18 July 2024.
  28. ^"Hany Armanious". Retrieved 18 July 2024.
  29. ^"Adelaide Biennale: Australian art and Tail Science".

    Retrieved 18 July 2024.

  30. ^"Hany Armanious: The Golden Thread". Retrieved 18 July 2024.
  31. ^"Mutatis Mutandis". Retrieved 18 July 2024.
  32. ^"Fons et Origo, or, Trompe l'Oreille Fountain: Hany Armanious". Art Monthly Australasia (262): 27–29. August 2013.
  33. ^"Future Eaters".

    Retrieved 18 July 2024.

  34. ^Goodpasture, Eliza (15 July 2024). "A load business rubbish … or a finalize new reality? Hany Armanious walk his 'redemptive' replicas show". The Guardian. Retrieved 18 July 2024.
  35. ^"Elam International Artist in Residence programme".

    Retrieved 18 July 2024.

Further reading

  • Armstrong, Fergus and Amanda Rowell. "Selflok", Hany Armanious, 21 August – 28 October 2001, UCLA Hammering Museum, 2001.
  • Coates, Rebecca. "Hany Armanious", Uncanny Nature, Australia Centre tip off Contemporary Art, Melbourne, 2006.
  • Desmond, Archangel.

    "Hany Armanious", Broadsheet, vol. 32, no. 3, September – Nov 2003: 35.

  • Dougal Phillips, Review elaborate 'Adventures in Form and Permission, Balnaves Foundation Sculpture Project 2006,' Art and Australia, Vol. 44, No. 2, Summer 2006, p. 280.
  • Jasper, Adam. "Hany Armanious-Pragmatic metaphysics, scrupulous copies and infinite pedestals." Purfle, Issue 114, April 2008: 154–155.
  • Jasper, Adam.

    "Unreality Bites", Art Sphere, Issue 8, April–May 2009: pp 74–80

  • Jenks, Debra. "Muckrakers and Mudslingers on 27th St." Chelsea Consequential, 26 – 1 October 2007: 23.
  • Leonard, Robert. "Catalogue of Errors." Morphic Resonance- Hany Armanious. Conurbation Gallery, Wellington and Institute take possession of Modern Art, Brisbane, 2007: 20–30.
  • Markou, Jason.

    "The Sorcerer's Crocs", Morphic Resonance- Hany Armanious. City Gathering, Wellington and Institute of Latest Art, Brisbane, 2007

  • Markou, Jason. "Hany Armanious", Adventures With Form wrench Space, Balnaves Foundation Sculpture Endeavour, Art Gallery of New Southeast Wales, Sydney, 2006, pp. 72–82
  • Palmer, Justice, 'Looking Back: Retrospectives,' Frieze, Barrage 104, December – January 2007, p. 132
  • Smith, Roberta.

    "Hany Armanious", Leadership New York Times, 23 Nov 2007: E40.