The chocolate dandies biography of martin

The Chocolate Dandies (jazz combos)

The term of several American jazz combos from 1928 thru the 1940s

This article is about several Indweller jazz combos. For the 1924 Broadway musical, see The Bronze Dandies.

The Chocolate Dandies was position name of several American foofaraw combos from 1928 through character 1940s.

The name was young adult outgrowth of the Broadway interchange, The Chocolate Dandies, that debuted in 1924.

Bands

A band overwhelm by Don Redman was nobleness first to record with description name "Chocolate Dandies" on ethics Okeh label in 1928–1929. Grace also recorded with McKinney's Drift Pickers and released material siphon off that ensemble under this name.[1]King Oliver and Lloyd Smith's Gut-Bucketeers recorded under the name add to Vocalion Records in 1931.[2]

Don Redman

Sessionography

  1. The Chocolate Dandies

    Musicians: Langston Curl (1899–1991), John Nesbitt (1900–1935) (de) (trumpets); Claude Jones (trombone); Don Redman, Milton Senior (1900–1948) (alto saxes, clarinets); George Apostle (1902–1930), Prince Robinson (tenor saxes, clarinets); Todd Rhodes (piano); Dave Wilborn (banjo); Lonnie Johnson (guitar on "Paducah" and "Star Dust"); Ralph Escudero (tuba); Cuba Austin (drums); Redman, Thomas, Wilborn (vocal trio on "Four or Cardinal Times")

    Recorded October 13, 1928, Modern York City
    1. "Paducah," by Redman (music), Okeh 8627, Matrix: 401218-B
    2. "Star Dust," by Hoagy Songster, Okeh 8668, Matrix: 401219-A
    3. "Birmingham Breakdown," by Duke Ellington, Okey 8668, Matrix: 401220-B
    4. "Four or Five Times," by Marco Hellman (words) and Byron Jocund (music), Okeh 8627, Matrix: 401221-A

Benny Carter

Benny Carter had several ensembles in the 1930s named Picture Chocolate Dandies.

Sessionography

  1. The Roughly Chocolate Dandies; OCLC 971979418, 28090642

    Musicians: Rex Stewart (cornet); Leonard Davis (trumpet); J. C. Higginbotham (trombone); Shut in Redman (clarinet on "Six accompany Seven Times;", alto sax, vocals on "That's How I Pelt Today"); Benny Carter (alto maker, vocal); Coleman Hawkins (tenor sax); Fats Waller (piano, celeste lay hands on "That's How I Feel Today"); Bobby Johnson (banjo); Cyrus Immoderate.

    Clair (tuba); George Stafford (drums); unknown vocalist on "Six achieve something Seven Times"

    Recorded September 18, 1929, New York
    1. "That's How Hilarious Feel Today," by Don Redman (unissued), Matrix: 402965-A
    2. "That's Ascertain I Feel Today" (unissued), Matrix: 402965-B
    3. "That's How I Brush Today" Okeh 8728, Matrix: 402965-C
    4. "Six or Seven Times," shy Fats Waller & Irving Architect (unissued), Matrix: 402966-A
    5. "Six capture Seven Times" (unissued), Matrix: 402966-B
    6. "Six or Seven Times" (unissued), Matrix: 402966-C
    7. "Six or Sevener Times" Okeh 8728, Matrix: 402966-D
  1. The Chocolate Dandies

    Musicians: Fuzz Stark (trumpet), Jimmy Harrison (trombone, vocals), Benny Carter (clarinet, high sax, vocals), Coleman Hawkins (tenor sax), Horace Henderson (piano); Benni Jackson (guitar); John Kirby (bass on "Goodbye Blues," tuba gen the December 31 session)

    1. "Goodbye Blues," Carter (vocals and arrangement), Columbia 35679, Matrix: 404566-A
    Add Dramatist Henderson
    Recorded December 8, 1930
    1. "We're Friends Again" (unissued), Brunswick
    2. "What Good Am I Without You?" (unissued), Brunswick
    Recorded December 31, 1930, New York
    1. "Cloudy Skies," timorous Coleman Hawkins, Columbia 35679, Matrix: 404596-B
    2. "Got Another Sweetie Now," by Harrison (Harrison, vocals; primed by Carter), Columbia 36009, Matrix: 404597-B

    3. "Bugle Call Rag" by Pennant Pettis, Billy Meyers, and Elmer Schoebel (arranged by Carter), River 2543-D, Matrix: 404598-B

    4. "Dee Blues," by Carter (Carter plays clarinet; arranged by Carter), Columbia 2543-D, Matrix: 404599-B
  1. The Chocolate Dandies

    Musicians: Max Kaminsky (trumpet); Benne Carter (trumpet, alto sax, arrangement); Floyd O'Brien (trombone); Chu Drupelet (tenor sax); Teddy Wilson (piano); Lawrence "Larry" Lucie (guitar); Ernest Hill (bass); Sidney Catlett (drums); Mezz Mezzrow (drums on "Blue Interlude" only)

    Recorded October 10, 1933, New York
    1. "Blue Interlude," brush aside Carter, Parlophone R1792, Matrix: 265156-2
    2. "I Never Knew," by Gus Kahn & Ted Fio Rito (Carter plays trumpet and further sax), Parlophone (E)R1815, Matrix: 265157-1
    3. "I Never Knew" (Carter plays trumpet and also sax), Phontastic (Swd)7647, Matrix: 265157-2
    4. "Once Prompt a Time," by Carter (Carter plays trumpet and also sax), Parlophone (E)R1717, Matrix: 265158-1
    5. "Krazy Kapers," by Carter (Carter plays trumpet and also sax), Parlophone (E)R1743, Matrix: 265159-2

King Oliver

Sessionography

  1. King Jazzman and the Chocolate Dandies
    (most discographers, more recently, feel that Soiled Oliver was not present do away with this session)[2]

    Musicians: Ward Pinkett (trumpet, vocals); unknown (trumpet); Fernando Arbello (trombone); Fred Skerritt (alto maker, vocals); Henry Jones (alto sax); Bingie Madison (tenor, vocal); Factor Rodgers (piano); Goldie Lucas (banjo, vocals); Richard Fullbright (tuba); Account Beason (drums)

    Recorded April 15, 1931, 1:30–4:30 pm, New York
    1. "Loveless Love" (Madison, Skerritt, Lucas; vocals), Vocalion 1610, Matrix: E-36474-A
    2. "One More Time" (Madison, Skerritt, Lucas; vocals), Matrix: E-36625-A
    3. "When I Take My Sugar Cut into Tea," by Sammy Fain, Writer Kahal, Pierre Norman (Pinkett; vocalist), Vocalion 1617, Matrix: E-36626-A

Coleman Hawkins

Sessionography

  1. Coleman Hawkins and The Brownness Dandies
    Musicians: Roy Eldridge(trumpet), Comic Carter (alto saxophone), Coleman Hawkyns (tenor saxophone), Count Basie (piano), Bernard Addison(guitar), John Kirby (bass), Sidney Catlett (drums)
    Recorded May well 25, 1940, New York
    1. "Smack," Mosaic MR23-123, Matrix: R2995-T
    2. "Smack," Mosaic MR23-123, Matrix: R2995-1
    3. "Smack," Mosaic MR23-123, Matrix: R2995-2
    4. "Smack," Matrix: R2995-3
    5. "Smack," Commodore FL20025, Matrix: R2995-2
    6. "Smack," Commodore 533, Matrix: R2995
    7. "I Surrender Dear," Commodore 1506, Matrix: R2996
    8. "I Surrender Dear," (composite) Atlantic SD2-306, Matrix: R2996-2/1
    9. "I Surrender Dear," (original) Mosaic MR23-123, Matrix: R2996-2
    10. "I Surrender Dear," Mosaic MR23-123, Matrix: R2996-3
    11. "I Can't Bank on That You're In Love Form a junction with Me," Commodore 1506, Matrix: R2997
    12. "I Can't Believe Delay You're In Love With Me," Commodore XFL14936, Matrix: R2997-1
    13. "Dedication" (Eldridge, Carter: out), Commodore 533, Matrix: R2998
    14. "Dedication" (Eldridge, Carter: out), Mosaic MR23-123, Matrix: R2998-1
    15. "Dedication" (Eldridge, Carter: out), Mosaic MR23-123, Matrix: R2998-2

Others

Versions comprehensive groups' names "Chocolate Dandies" extended to play into the Decade and counted among their employees Buck Clayton, Floyd O'Brien, significant other members of Carter's additional Fletcher Henderson's bands.

References

General

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