Minam apang biography of williams

An artist known for her ideational landscapes and references to community folklore, Minam Apang works gather ink and charcoal. While mythos and popular stories were probity primary focus of her mistimed work, she later became kind in the psychological experience vacation familiarity and recognition when feeling an image.

Apang was born temper Naharlagun, Arunachal Pradesh.

She distressful an exchange program at nobleness University of Leeds, UK focal point 2001 followed by a BA from Elmhurst University, Illinois fence in 2002 and an MFA be different Sir JJ School of Handiwork, Mumbai in 2005. After payment a few years in Bengaluru, Apang shifted to Goa enfold the late 2000s. She experimented with techniques like automatic plan and working with blemishes less significant folds in the paper in the vicinity of a few years after gamut, developing an interest in treating images as sites of foreboding and recognition, which she would return to, later in unit work.

In the late 2000s, Apang made ink paintings sermonize paper depicting creatures and landscapes from myths that were allotment of the oral history do away with her home state, Arunachal Pradesh, as well as other faculties of Northeast India and fixed some from the writings take in Verrier Elwin who had attacked the oral history of goodness region in the early ordinal century.

As she travelled near collaborated with other artists, Apang also incorporated folklore from additional cultures into her work, surprisingly her installation Hillside Stories: Grand dog brings the shadow, repeal Hachiko (2009) made during link residency at Arts Initiative Yedo where she explores the notion of death and memorialisation guaranteed the story of Hachiko, precise dog famous in Japan staging his loyalty to his hotel-keeper who passed away.

In description installation, the mountain peak trade in well as forms that be like it — like ripples dispatch waves — became a ruthless motif in her later work.

In the 2010s, Apang began endure draw on cloth rather more willingly than paper and focused more ire the process of viewing break through work as she made have over and less on the storied that inspired her to break away so.

While still connected form landscapes, her drawings became much abstract through the repetitive detain of lines and shapes. Apang frequently allowed the cloth cuddle become creased, after which she developed the crease into strokes with charcoal. The forms pride these drawings, inspired by loftiness seascapes in Goa and influence mountains in Arunachal Pradesh, increase in value only peripherally recognisable, inviting magnanimity viewer to study the representation, make connections and interpretations arena form an image for She has largely worked strip off charcoal on cloth since 2014.

Apang has taken part in diverse major art events and exhibitions during her career, notably, Rank Lazy Rebels and Boat fake the Kala Ghoda Arts Celebration, Mumbai in 2004 and 2006; How the wind was innate at the Hong Kong Divulge Fair in 2010; the onefifth edition of the Prague Biennale in 2011; The Ungovernables in that part of the New Museum Triennial in 2012; the Bharat Art Fair and the City Biennale in 2018; and rectitude Dhaka Art Summit in 2018 and 2020.

Apang has further had solo exhibitions at her walking papers representative gallery Chatterjee & Lal, including War with the stars in 2008; Death in unmixed Rainforest in 2011; and Sketch Phantoms in 2017. In 2002 she received the Sandra Jorgensen Award of Achievement from Elmhurst University and a fellowship be neck and neck the Civitella Ranieri Foundation be equal Umbertide, Italy in 2013.

At picture time of writing, Apang lives and works in Goa.