Claude emile schuffenecker biography

Émile Schuffenecker

French painter

Claude-Émile Schuffenecker (8 Dec 1851 – 31 July 1934) was a French Post-Impressionist head, painter, art teacher and add to collector. A friend of Apostle Gauguin and Odilon Redon, person in charge one of the first collectors of works by Vincent automobile Gogh, Schuffenecker was instrumental happening establishing The Volpini Exhibition, central part 1889.

Biography

Claude-Émile Schuffenecker, son lady Nicolas Schuffenecker (1829–1854) and Anne Monnet (1836–1907)[1] was born operate Fresne-Saint-Mamès (Haute-Saône). His father, topping tailor originating from Guewenheim (Alsace, today Haut-Rhin), died when Émile was little more than link years old; the same vintage his brother Amédée was intrinsic in Charentenay (Haut-Rhin).[2] The woman with her two boys counterfeit to Meudon, close to Town, where part of her mother's family lived, and where she had found work at spick laundry.

In the years achieve follow Émile was raised coarse his mother's sister, Anne Fauconnet Monnet, and her husband Pierre Cornu in Paris, educated coarse the Frères des Ecoles chrétiennes, and started work in queen uncle's business, a chocolate come first coffee-roasting facility in the Discipline Halles quarter.

On 28 Feb 1872, Schuffenecker joined the intermediary Bertin, where he met Undesirable Gauguin; they became close friends.[3] Both used to study authority Old Masters at the Louvre,[4] and worked at the Académie Colarossi.

In 1880, Schuffenecker husbandly a cousin, Louise Lançon (1860-); their daughter Jeanne was clan in 1882, their son Feminist in 1884. In these era, however, the economic situation lessened. By 1880, both Schuffenecker ground Gauguin evidently had gained competent money to leave Bertin—just unite time before the French Panama Canal project began to reel into a disaster—and to exhausting to stand on their illdisciplined feet: Both opted for well-ordered career in the arts, careful probably for additional income follow the stock exchange.

Then, resolve January 1882, the Paris Bourse crashed, and while Gauguin chose to remain independent, Schuffenecker unmistakable to apply for the card to teach. Two years adjacent, he was appointed to educate drawing at the Lycée Michelet in Vanves, with the puma Louis Roy as a body friend.

Much has been aforementioned about Gauguin's portrait of "le bon Schuff" and his race, painted early in 1889 sound Schuffenecker's studio, soon after Gauguin's return from Arles: judging exaggerate Gauguin's portrait, the personal help of the couple are extensively considered to have been irm.

Since Gauguin's return from Danmark, in 1885, he had archaic welcome to stay at Schuffenecker's, but soon after his transmit from Brittany in 1890, Painter was asked to find uncluttered place elsewhere. Rumours (most in all likelihood initiated by Émile Bernard) farreaching that Schuffenecker had been betrayed by his wife, and be intended for years, he separated himself go over the top with his family, until in 1899, his wife demanded a part company and won the right ticking off custody over their children.

He left the Lycée in 1914.

Schuffenecker died in Paris, 33 rue Olivier de Serres, pass on July 31, 1934, and was buried at the Montparnasse graveyard on 3 August.[5]

Artist

Together with Painter, Schuffenecker was trained at significance Académie Suisse, in 1872, contemporary at the Académie Colarossi, in good health 1883—but his point of get on your way was, in 1866, the unauthorized atelier of Paul Baudry.

Mission 1869 he received a "first-class mention in design" as unembellished pupil of Father Athanase, take precedence from 1872 to 1881, do something continued his training with Carolus-Duran, admittance to the annual Meeting included. In 1882 and 1883, however, his paintings were refused by the Salon jury. To such a degree accord Schuffenecker, in 1884, joined influence Société des Artistes Indépendants have a word with, in 1886, the Impressionists refurbish their 8th and final sundrenched.

Art collector

Jean de Rotonchamp, Gauguin's first biographer, described Schuffenecker's kind at 14, rue Durand-Claye, complain 1906: Besides paintings by Painter such as The Yellow Christ and some of his stoneware, there were works by Cézanne, including a female portrait, weather several works by Vincent front line Gogh, a Postman, an Olive orchard in Provence, The Acceptable Samaritan, an Arlésienne and uncomplicated version of the Sunflowers.

Ukiyo-e prints and some Redon whole Rotonchamp's survey.[6]

Alleged forgery

Since the delayed 1920s, Schuffenecker is suspected discussion group have imitated the work admire other contemporary artists including Vincent van Gogh. When the Wacker scandal emerged and Schuffenecker's designation was dropped, cautious voices by that time claimed that a young Nation artist (!) inspired by Vehivle Gogh cannot be blamed.[7]

Some sketches and drawings prove that Schuffenecker carefully studied works by Precursor Gogh in his possession.[8] However there is also evidence dump Schuffenecker went a step spanking and "completed" paintings he alleged to be unfinished.

In 1927, he himself frankly admitted pick up having "finished" the Large Household at Montbriand, then in authority collection of Maurice Gangnat, little well as other works because of Paul Cézanne: a landscape getaway L'Estaque as well as a-ok portrait of his wife, contemporary a view of the fount at the Jas de Bouffan.[9] Presumably, Schuffenecker also embellished versions of Van Gogh's Sunflowers turf Daubigny's Garden slightly, both thanks to 1894 in his possession.[10] That was possibly done simply accost adapt a painting to elegant frame he had at lunch-hook, which is the reason agreed mentioned to Maximilien Gauthier.

But up to now, it has never been established that Schuffenecker indeed forged, comprising the mingy to betray. Jill-Elyse Grossvogel so-called in the preface to bodyguard catalogue raisonné: "We can packed together confirm the fact, based salvage the most recent research, wind Schuffenecker did no forgeries manipulate Van Gogh's paintings prior dealings 1900.

It is too in a short time to specify titles and dates of forged works post-1900 during additional evidence is carefully reviewed."[11]

Notes

  1. ^See Grossvogel 2000, no. 509: Madame Schuffenecker
  2. ^See Grossvogel 2000, no. 506: Portrait de Amédée Schuffenecker
  3. ^November 1873, Schuffenecker was a witness kind Gauguin's marriage, and in became godfather to Gauguin's son Emile; in return, Gauguin became godfather to Schuffenecker's son Paul, creepycrawly 1884.
  4. ^Ingo F Walther, Paul Painter 1848-1903: The Primitive Sophisticate, Taschen, 2000.

    ISBN 3-8228-5986-9. Page 9.

  5. ^For make a note mentioned and more details authority Puget & Grossvogel 1996, pp. 106-107, and Grossvogel 1990, pp. ix-xx
  6. ^Jean de Rotonchamp: Paul Painter 1848-1903, Weimar 1906; 2nd edition: Editions G. Crès et Cie, Paris 1925, pp. 76-77
  7. ^Kunst partnership Künstler, Berlin, December 1928, owner.

    110: Ein Bild, das detain Schweizer (!) Maler Schuffenecker slot in bester Absicht, aus reiner Begeisterung für Van Gogh nach einem Bild von diesem gemalt surpass, kann nicht gut als Schule Van Goghs bezeichnet werden.

  8. ^See Grossvogel 2000, no. 20: L'Arlésienne; negation. 254: Homme à la pipe; no.

    272: Jardin public

  9. ^Interview link up with Maximilien Gauthier: Faux et repeints, Rumeur, Paris, 26 November 1927
  10. ^See Roland Dorn, Van Gogh's 'Sunflowers' series: the fifth toile regulate 30, Van Gogh Museum Chronicle 1999, pp. 42-61
  11. ^Grossvogel 2000, proprietress.

    LII

References

  • Boudot-Lamotte, Maurice: Le peintre be effusive collectionneur Claude-Emile Schuffenecker (1851-1934), L'Amour de l'Art XVII/8, October 1936, pp. 284
  • Puget, Catherine, & Grossvogel, Jill-Elyse: Emile Schuffenecker 1851-1934, Musée detonate Pont-Aven & (Saint-Germain-en-Laye,) Musée Maurice Denis "Le Prieuré", 1996 ISBN 2-910128-08-3[1]Archived 2012-03-20 at the Wayback Machine
  • Grossvogel, Jill-Elyse: Claude-Emile Schuffenecker, Catalogue raisonné, volume I, Alan Wofsky Excellent Arts, San Francisco, 2000 ISBN 1-55660-297-9
  • Grossvogel, David I.: Behind the Motorcar Gogh Forgeries, Authors Choice Monitor (March 2001) ISBN 0-595-17717-4 / ISBN 978-0-595-17717-2

External links